Showing posts with label 3-D fiber art. Show all posts
Showing posts with label 3-D fiber art. Show all posts

Thursday, June 2, 2016

Dimenional Art Expressed in Fiber #1

 So many aspects of fiber captivate my interest that between quilted art , I enjoy creating dimensional fiber works.  Here are just a few that have come from my sewing machine.

Offering
 Two soft sculptured forms, thread stitched bowl and felted fruit forms.
Open Box Form
 Threads stitched onto water soluble stabilizer and formed into a box shape.
Opening Night
Thread stitched fluted open vessel, thread painted mask, and 
manipulable felt stitched over wire leaf forms 
Always remember, never fear to experiment.  
Sometimes wonderful things happen.
© Linda Friedman 2016.  All rights reserved

Tuesday, February 23, 2016

Fashioning Thread into a Large Rigid Bowl

It's my theory that anyone who works with needle and thread also has a goldmine of clipped threads that too often make their way to the trash.  I collect my threads in a paper lunch bag that is taped to the edge of my sewing table. 

In the past I've made scarves from stitched thread, yarn cuttings and water soluble stabilizer but recently I had a lot of clippings and wanted to work them into a large, dimensional work and thought that a bowl might be a good starting place.

Here is how I made this large, 21" diameter bowl.

I first sorted threads according to colors and how I wanted them to appear on the bowl.  I also had a lot of white left over threads that I wanted for the center of the bowl but they do not appear in this picture.

Here is the stabilizer I used as well as some of the threads I used to stitch the bowl.

Next I cut two large square layers of water soluble stabilizer and placed the threads in circular layers onto the stabilizer.    I then cut 2 more layers of water soluble stabilizer and placed these layers atop the threads.  I used 4 layers of stabilizer because I did not want to use an embroidery hoop on this large a project.

After placing the threads between the stabilizer, I pinned all layers together.
Here I have separated the layers to show how the threads are layered.
Once all layers were pinned, the layers looked like this.
I started free motion stitching with overlapping, free form circles over the green thread clippings.

NOTE:  All stitching needs to be overlapped so that the form does not fall apart when the water soluble stabilizer is rinsed out.

Here is what the basis of the bowl looks like when much of the circular areas have been stitched.
The center was the last to be free motion stitched.

Once the center was stitched, I drew long, spiky leaf shapes radiating from the middle of the circular form.  I then started filling in the shapes with a close, free motion, zigzag stitch.  The next picture shows the beginning.  After all dark green shapes were filled in with stitches, I mirror stitched lime green next to the dark green stitching.

I did not have a bowl large over which to form the thread stitching but upon scouring the studio my eye fell upon a stained glass lamp shade that was just the perfect mold shape.  I took it off the lamp base, covered it in plastic wrap from the kitchen, sprayed it with Pam so that the sticky, wet thread unit would not gum up the lamp shade or stick to the plastic wrap.  Unfortunately, my hands were also sticky and wet and I did not want to pick up the camera to take a picture of that leg of the process.


Here is the completed stitching after the stabilizer was partially rinsed out.
NOTE:  I only rinsed out enough stabilizer to reveal the layered threads and the stitching.  Because I did not rinse out all the stabilizer, it remained quite sticky when wet and that was essential to the stitched unit holding a bowl shape.

Surprisingly, the thread stitched form dried within a few hours and this is what it looked like.
Although the form was quite rigid, I wanted to assure that it would not collapse or distort over time, so I painted mat gel medium over the entire surface and let that dry.  To make the form even more permanent and easy to clean in the future, I painted fast drying, clear polyurethane over the entire form. 

WaaLaa!  A thread bowl was created.
This was intended to be a "what if" experiment but when the bowl emerged as I had envisioned it, I think I'm hooked on the process.  Perhaps I will think about the possibility of using Angelina fibers in my next 3-D thread experiment.  Ahh, the possibilities!
Always remember, never fear to experiment.  
Sometimes wonderful things happen.
© Linda Friedman 2016.  All rights reserved

Wednesday, February 10, 2016

3-D Transformation of Felt with Wire #2

After completing the first felt leaf with covered picture wire*, I started looking through cabinets in my studio and found  more felt.
Sculptural Manipulation #1

(* Instructions on making a sculptural felt piece, check out my blog post on January 24th, 2016.)

Below are representations of the second leaf, both as it lays flat and then how it might be sculptured.

Completed leaf laying flat
Sculptural Manipulation #1

Sculptural Manipulation #2
The felt I used was craft quality and orange in color--a color that I have never seen so raw in nature.  In order to make the leaf more lifelike, I diluted green acrylic craft paint with water and painted it over both sides of the leaf.

When I construct future leaves, I believe I may also stitch over wire in the vein areas in addition to the edge and main "stem" so that the form can be sculpturally manipulated further.
Always remember, never fear to experiment.  
Sometimes wonderful things happen.
© Linda Friedman 2016.  All rights reserved

Sunday, January 24, 2016

3-D Transformation of Felt with Wire

I have long been fascinated with the seeming random quality of how leaves curl as they dry on the limb and then fall to the ground in an artful manner.  What follows is an experiment in trying to capture the feeling that I have when seeing dried leaves on the ground in the Fall.  Nature will always trump my efforts but that doesn't stop me trying.  Perhaps the following will act as a tutorial for you to make your own 3-D fiber art forms.

1.  Tools:     - 20 lb. picture hanging wire
                    - straight pins
                    - wire clipper
                    - beading foot
                    - free motion foot
 2.  Pin wire to felt.
 Note:  A pattern is not necessary.  Instead, merely started pinning the wire to the felt in wavy       lines that are meant to suggest the undulant lines of many leaf shapes.
Starting to Pin Felt to Fabric
3.  Set zigzag stitch width and length on sewing machine to 3.5 zigzag width and 1.5 length.  If you try this, you may need to set the machine width to a different number.  Just make sure that it will be wide enough to let the needle pierce the felt on either side of the wire. You don't want to dull your needle by it splitting the woven wire.

4.  Stitch wire to felt using beading foot.
Close-up of wire stitched onto felt.
How one completed leaf side and center stem evolved
5.  Pin wire to second side of middle stem and stitch, as described in #4.
6.  Sandwich a second length of felt over the wire stitched felt with the wire in the middle of the two pieces.
Layering Felt
7.  Pin the two layers together.  Insert pins so they capture the wire under them.  Use stitching line from the top layer as a guide.
8.  Stitch the layers together.
9.  After stitching around the entire leaf form, change from the beading foot to a free motion foot and reset your machine's stitch length and width to zero.
10.  Free motion quilt the leaf form in whatever pattern you choose.
11.  After completing a free-motion quilting design, use a stiff paint brush to paint the veins of the leaf form with green acrylic paint.
12.  After completely painting the leaf veins on both sides of the form, blend orange and brown      Setacolor fabric paints (or even acrylic paints, if desired) around the edges and into areas of green paint.
13.  Once the paint dries, cut around the edges of the form to "release" the leaf.
14.  Here is my resulting flat, elongated leaf form.
15.  Below are three of many ways the form can be manipulated.  Because it has a picture hanging wire skeleton the form can be flattened and reconfigured over and over again and each time it will hold its form.


Always remember, never fear to experiment.  
Sometimes wonderful things happen.
© Linda Friedman 2016.  All rights reserved