Showing posts with label quilted fiber art. Show all posts
Showing posts with label quilted fiber art. Show all posts

Monday, May 23, 2016

From Angelina Fibers to Dimensional Art



For some time I have had a wrought iron piece that almost looks like an upside down lamp shade frame with elongated leaf shapes ribs.  Every time I looked at the wrought iron piece I wondered if I might somehow be able to use it as a form to shape a fiber art work.

After all too much ruminating over whether I could create something with the form, these are the steps I took to make this work happen:

1)  I brought the form in from the outside and made a pattern from one of the leaf shape ribs.  There were six leaf shapes on the iron piece.

2)  I then pulled out a roll of water soluble stabilizer and traced around the pattern six times onto a length of the stabilizer.

3)   Next I dug into my stash if fibers, pulled out some Angelina fibers and ironed some of the fibers to make what could almost be described as fabric.

4)   I then turned over the stabilizer and laid the ironed pieces of Angelina fiber over the outline of the leaf shapes.

5)  Another layer of stabilizer was laid over the first stabilizer layer and the layer of Angelina fiber fragments to make what would become a quilted sandwich.

6)  After the layers were pinned together, I set about stitching each leaf with gold metallic thread and a free motion foot.

7)  I then satin stitched around each leaf shape.

8)  Once all leaf shapes were completed I cut around each leaf shape.

9)  Next I sandwiched more Angelina fibers between more water soluble stabilizer and created a round, flower shape that would become the bottom where all the leafs would meet.

NEXT CAME THE REALLY FUN PART!

10)  I laid out a piece of parchment paper on the worktable to protect it.

11)  Next I turned the wrought iron shape upside down and wrapped it  in plastic wrap to also protect it.

12)  I then submerged the individual stitched pieces in warm water to BEGIN the process of removing the stabilizer.  NOTE:  I only dissolved the stabilizer enough to be able to see the Angelina fibers and the stitching.

13)  Because I left much of the element that makes the stabilizer soluble, the forms became exceptionally sticky and that was just what I wanted.

14)  I then laid the leaf shapes over the plastic wrapped wrought iron form and placed the now sticky flower shape over the end.

15)  To keep the shapes from slipping off of the plastic wrapped form, I inserted daisy headed pins through the leaf shapes and through the plastic wrap.

16)  The most difficult part was waiting for the piece to dry.

17)  Once the piece was dry it had become stiff but still bendable.  To further stiffen the pieces I painted them with Stiffy Fabric Stiffener and then let that dry.

18)  After the unit was completely dry, I used a large needle with metallic thread to stitch along a section of each leaf shape rib to create something akin to a vase shape.

19)  Finally, I rolled the tip of each leaf shape, lightly squeezed the roll, and then let each roll unfurl.

WaaLaa... Success!!

This is a process that I definitely wish I had taken pictures of along each step.

Here are a few other views of the completed work.
Another Frontal View

View Looking into the Form
Always remember, never fear to experiment.  
Sometimes wonderful things happen.
© Linda Friedman 2016.  All rights reserved

Monday, September 29, 2014

Quilts in Mancuso Quilt Fest, Palm Springs, CA


It was great fun this morning to receive a flier from the Mancuso Quilt Fest and to find that two of my quilts will be in the show.  They will be in the Special Exhibits section.  "Autumn's Palette"will be with the "Appearances" exhibit from Quilts on the Wall.   "Between Heaven and Earth" is in the "Fiber Perceptions" exhibit with Beyond the Edge Fiber Artists.
"Between Heaven and Earth"
"Autumn's Palette"
 If you happen to be in the Southern California area between October 2nd and October 4th, be sure to take in Quiltfest.  It's sure to be a great show.
Always remember, never fear to experiment.  
Sometimes wonderful things happen.
 © Linda Friedman 2014.  All rights reserved.


Thursday, July 10, 2014

From Small Block Print to Large Stencil - A How-to Guide

I am presently developing a quilted art work in which I am using one image in a variety of orientations, sizes and colors.  It started with a very large bird image that will appear on the front of the quilt but I also wanted it to appear on the reverse side. 

                                 From this                                  to this...


First I cut a block,
Soft Kut Printing Block

I printed the block in my sketchbook,

I cropped the top image and printed it in 2x2 
poster format and taped the pages together.

Next I cut enough freezer paper to cover the image

Here is the freezer paper laid over the image 
with the shiny side down.

 I traced around the image with a 
fine tip permanent marker.

A stencil is now ready to be cut with a craft knife,
BUT,.,

Before beginning to cut, I removed the posterized
 image from under the freezer paper.

Here is the beginning of the stencil cutout.

Here is what the partially cut stencil looked like.  
The remainder of the shapes were ultimately cut out.

I ironed the the fully cut out freezer paper stencil to
 the fabric on which I wanted the image to appear.

I used a plate as a makeshift palette, foam brush
and Setacolor opaque white fabric paint to paint
the stencil.

And here is the finished stenciled image that I believe
 successfully suggests a very large block print.
 
Always remember, never fear to experiment.  
Sometimes wonderful things happen.
 
 © Linda Friedman 2014.  All rights reserved.