Sunday, January 20, 2013

Experimenting with Liquid Rit Dye

Array of Six Mixed Colors
For the longest time I have been of the understanding that one should not apply Rit dyes directly to fabric, but the other day I wanted to see what would happen if I broke rank and applied the liquid dyes directly to wet fabric.  I was more than pleasantly surprised.  I was elated with the outcomes.
In a matter of a couple of hours I had produced over twenty 14" x 14" gloriously dyed fabrics.
A Sampling of the Dyed Fabrics
At the end of the following process outline are pictures of numbered fabric examples and Rit liquid colors that I used.
Let’s see...what colors did I use?

(First , I used the liquid dye, not the Rit powered dye. Next, I used a lab dropper to apply the Rit and since I only had one dropper, I had to clean it between colors. That was a pain in the neck so I am going to look for these flimsy, inexpensive, plastic droppers on-line and stock up on them for future use.)

On many of the pieces I started with Lemon Yellow and used more of that than any of the other colors because it was the lightest and could be overwhelmed by the darker colors.  I didn't measure anything.  I just dropped and swished and squished.  Here were some color combinations that were used in the examples shown:

Lemon Yellow and Tangerine

Lemon Yellow and Tangerine and Sunshine Orange

Lemon Yellow and Sunshine Orange and Scarlet

Lemon Yellow and Wine

Lemon Yellow and Wine and Navy Blue

Lemon and Navy Blue

Wine and Navy Blue

Lemon Yellow and Brown

The process:

1. Wash out any sizing from the fabric and thoroughly rinse out any soap.

2. Squeeze out excess water from the fabric but leave it quite wet.

3. Lay the fabric on a protected surface.  (I used vinyl because it cleans up so nicely.)

4. Randomly drop or streak colors across the fabric.

5. Scrunch the fabric to blend the colors

6. Hold the fabric up to see if the majority of white areas are gone.

7. Lightly scrunch the fabric and put it into an oven safe, non metallic container with a cover so that steam can be created.

8. Place in microwave for 4 minutes on high setting.

9. Let the container cool down a bit.

10. Rinse, rinse, rinse until water runs clear.

11. Squeeze out excess water.

12. Roll in towel and squeeze (I step on my roll) to remove more water.

13. Iron, if desired.

 To see pictures of individual dyed fabrics keep reading :-)

The next time I do this, I will have dry pieces of fabric at hand to mop up the colors on the protected surface between color changes. I used paper towels to clean up and the blended colors were pretty spectacular, so maybe they can be captured on fabric. If I do that, I will need to spray the clean-up cloth with water to help the colors blend before “cooking” them.

 Rit also has a mixing chart on their web site and I may print that out so that even more colors can be created from the ones already on hand.
Here are the numbered examples.  See below for the dye colors used in each piece.
Numbered Fabrics
Afterthought:  A friend who does not have a microwave asked if applying Rit dye directly to the fabric could be "cooked" in another way.  I have not tried the following, but it might work...

Instead of putting the microwave and oven safe baking dish into the microwave, perhaps it could be put into a range oven with the temperature set to at least 212 degrees (boiling point) and then let it "cook" at that temperature for 3 or 4 minutes.  This is merely conjecture and I have no idea how the fabric might turn out.

WARNING #1: Even though a baking dish might say microwave and oven safe, be very careful when removing it from the heating source.  Glass and glasslike products don't seem as stable as they were in the past.  Let the baking dish with the "cooked" fabric cool off a while before removing it.  These containers have been known to shatter in one's hands.  When creating any art, waiting is the hardest part, but caution needs to be the order of the day.

WARNING #2:  Do NOT use the baking dish for food after it has been used for dying fabric.  

Saturday, January 19, 2013

"Face Value: It's Not a Black and White World"

"It's Not a Black and White World"
"Face Value" was this month's theme for the Serendipity Art Quilt Group to which I belong.  It seems that when creating a new quilted work, I tend to hand dye and/or paint fabrics but this time I decided  to dig into my stash and resurrect some fabrics that had been ignored for too long.  The background, however, was hand dyed.

A while back I had created a stamp from sticky back craft foam
Original Sticky Back Foam Stamp
but the image needed to be enlarged so that the silhouettes could fill the ground.  I copied the stamp onto card stock at 125%, and then used a craft knife to cut a stencil to use as a pattern for the faces.
Stencil from Stamp Image
 I then traced around the stencil onto freezer paper and ironed the freezer paper onto the fabrics.  Next, I ironed Misty Fuse to the back of the fabric (using a release paper to keep the fusible from sticking to the iron.  The next step was to use scissors to cut around each shape.  After the faces were cut, the freezer paper was removed and the images were ironed to the background.

Next I layered the top to batting and another square of hand dyed fabric for the backing.  Because I had already planned out the quilting pattern and I knew that it was going to be dense stitching, I used Sullivans Original Quilt Basting Spray instead of pins to keep the fabrics together.

Once the fabric was "sandwiched", I chose threads close to the colors of the faces and satin stitched around each image.
Satin Stitching Around Faces
The quilting is a scroll design that I wanted to be fairly consistent, so I drew the scroll lines onto the backing with a dull #2 pencil to guide me through this stage.  I used a fine, light yellow thread in the bobbin and metallic gold by Superior Threads for the top thread.  Because I wanted the background to suggest tapestry, I stitched over the quilting lines twice.
Quilting Design
The edges were finished by couching twisted cording with the same gold thread that had been used for the quilting design.
 And here it is, again, finished with a happy sense of completion.