Sunday, April 16, 2017

"Vetruvian Man" Awarded Prize Follow-Up

Today I received the most wonderful thank you note from the curator, Lisa Anderson, of the 7th Annual Art Scientific show that held by California State University, Fresno and was exhibited at the Sorensen Art Gallery in Fresno, California.

 Along with the note was a ribbon for my Vetruvian Man work and its being awarded a second place in the show, but, much to my elated surprise, there as also a check enclosed. 

Given the high volume of art that Lisa was handling, I am very touched by her personal and heartfelt words.  I am sharing this to show how all curators should respond to artists in their shows.

Award Ribbon, Personalized Note and Check
Once again, here is the work that was awarded the  prize.
"Body Map in Honor of DaVinci's Vetruvian Man"
Always remember, never fear to experiment.  
Sometimes wonderful things happen.
© Linda Friedman 2017.  All rights reserved

Thursday, April 13, 2017

"Vetruvian Man" Awarded Prize

30" x 50" "Body Map in Honor of DaVinci's Vetruvian Man"
Am very happy to learn today that my work which pays homage to DaVinci's Vetruvian Man has been awarded second prize in mixed media at the Sorensen Gallery in Fresno, California.  This work was juried into the 7th Annual Art Scientifique month long exhibit at the Sorensen Gallery in the heart of Fresno.  Yearly the Departments of Science and Mathematics at California State University, Fresno put out a national call for art entries which deal with some area of science and/or mathematics.  Because many of the submissions are from scientists and mathematicians, I have been exceptionally thrilled that my works have been accepted for two years in a row.

This was my work that was juried into the last years' 6th Annual Art Scientifique exhibit.
36" x 36" "Gray Matter Unveiled"
Always remember, never fear to experiment.  
Sometimes wonderful things happen.
© Linda Friedman 2017.  All rights reserved

Monday, April 10, 2017

From Drapery to Scarf - How To



A while back I had to shorten microfiber drapes that left me with several, 74" x 20" lengths of fabric that I could not bear to throw away.  They sat dormant in my fabric stash for several months until I recently had a brainstorm on how they might be used.

A Microfiber Remnant from Shortened Drapery

The softness of the fabric was a tactile delight that I thought might feel wonderful wrapped around the neck in a scarf.

After cutting two 7" strips from the microfiber fabric, I soaked the fabric in water and then wadded up each 7" wide length and wrapped a few rubber bands around each clump of fabric.

In a microwave safe Ziploc container I then mixed up a batch of a Rit Dye product made for synthetics* in hot water, submerged the fabrics into the dye mix and lightly laid the lid onto the container.

Rit Dye for Synthetics
I then placed it into the microwave oven and heated it on high for about 3 minutes and then let it soak for a while.  After washing out the dye, the original beige microfiber became a lovely, mottled orange.

Of course, enough never seems to be enough when playing with fabric and color, so I resurrected a stamp that I had made a long time ago.
Original Leaf Stamp
Because I did not want both fabrics stamped with the same color, I picked orange and dark blue Setacolor fabric paints to use as the stamp colors.  I let the fabric dry to the damp stage and then poured the paints on an old, plastic meat tray.

It was time to print the leaf shapes onto the fabric.
Setacolor Fabric Paints and Old Meat Tray
Fabric with Orange Stamped Image
Fabric with Blue Stamped Image
Throughout the entire process, the fabric did not fray but I chose to line at least the orange stamped fabric with a pleasing color satin that I found in my stash of fabrics.

Satin Fabrics
 I merely laid the stamped fabric face-to-face on a 7" satin strip, stitched around 3 sides, turn it right side out and hand stitched it closed.

This is almost like a vestment stole that clergy wear.  It lays flat as it cascades down the chest.  I have another color satin ready to line the blue stamped fabric, but I'm not sure if I am going to line this one.  Without lining, it will drape loosely and lend itself to a variety of scarf configurations.

* I purchased the Rit Dye from Michaels; however, is available from some fabric stores and on a variety of on-line sites. 
To me, brainstorms are the spice of life.
Always remember, never fear to experiment.  
Sometimes wonderful things happen.
© Linda Friedman 2017.  All rights reserved

Friday, March 10, 2017

"Textile Translations"

This work was created in response to the theme, "Put a Bird on It," for Beyond the Edge Fiber Artists, a group of which I am a member.   We were accepted, and presently have a group show, at the Rancho Buena Vista Adobe Art Gallery in Vista, California.
"Call to the Heart"


This work stems from a very deep love for my father and how much I miss him every day of my life.  My statement on the label reads:

 "I love you and I'll see you tomorrow", my father said as he kissed me goodbye. As we hugged, a crow called out from its perch atop a telephone wire. There was no tomorrow. An accident took my father's life. From that fateful day forward, when I see and hear a crow utter its call, I hear, "I love you and I'll see you tomorrow." Yes, Daddy. I'll see you tomorrow."



Having the good fortune to not only belong to Beyond the Edge Fiber Artists but to also have my work included in the Rancho Buena Vista Adobe Art Gallery is definitely the highlight of this month for me.

Next week I'll post more photos of the exhibit.

If you are in the vicinity of North County San Diego, hope you have a chance to drop into the show.
"Textile Translations"
 March 7 through April 3, 2017 at the Rancho Buena Vista Adobe Gallery (Rancho Buena Vista Adobe).  The Gallery is located at 640 Alta Vista Drive, Vista, California. Phone (760) 639-6164. The gallery is open Thursday, Friday and Saturday, from 10 am to 3 pm.
Always remember, never fear to experiment.  
Sometimes wonderful things happen.
© Linda Friedman 2017.  All rights reserved

Wednesday, February 8, 2017

A Dear Friend Returns

This post is a review of how my wonderful friend and I worked together to actualize a dream of making a quilted duvet cover with fabrics that she and her husband, Ken had collected over the decades of their marriage.  Ken, a master of many talents, created the design for the quilt top that was to be.
Helmi and Ken Flick
Last year this extra special friend, Helmi Flick, flew in from Texas to start construction of the duvet cover.

A little history of our friendship may be warranted here.  Back in the late 1980s and 90s Helmi and I worked together at Childrens Hospital Los Angeles.  I worked in Neurology and she worked in Neuropathology.  Childrens Hospital was an affiliate of the USC School of Medicine from which I had just come.  She was the very first person to come to my office to welcome me with open arms and her inimitable laughter to offer any help that I might need in acclimating to the ways of Childrens Hospital.  That was the moment which sparked a life long friendship with this lovely lady who I consider a sister of the heart.
Meeting Helmi at Lindberg Field Airport.in 2016

Helmi and Me in 2016 when she visited


When Helmi and Ken visited a couple years before, they left a banker's box of their fabric collection with me.  When they departed, they promised that Helmi would be back to create a quilted duvet cover with the fabrics they had collected.

After they returned to Texas, Ken worked up a design for what they envisioned to be the duvet cover.  I venture to guess that their love of the ocean was inspiration for the design
Ken's Conceptual Schematic

A Few of the Wonderful Hand Dyed Cotton Fabrics
All the Fabrics Laid Out on the Work Table
Helmi envisioned the quilt being constructed from strip pieces of the fabrics so we got to work cutting strips.
The First Cut!!
Once the first cut was made we were off and running.
Stacks of Strips
We only had one week to get this done.  We needed to be able to work both together and separately.I had set up two work tables and two sewing machines so that we could work in a somewhat assembly line fashion. 
Helmi Sewing Strips Together
Each striped seam needed to be ironed open.
Ironing the First Strips
And the strips started coming together.
Linda Clipping Wayward Threads As the Top Started to Take Shape
The Top is Starting to Take on an Image of Water
The first section started to become a little wonky, so it needed to be blocked before we could continue with the next section.
Linda Blocking the First Section on a Design Board
The next section which represented the sun shining on water was roughly laid out.
Preliminary Layout of Fabrics to Represent Sun
Individual pieces were then sewn together end to end and then the long strips were sewn together..
The Top Starting to Come Together and Laid on on Work Table
To represent shimmers on the "water" we used a satin stitch that went from very narrow to wider to narrow again.
To have an idea of how many pieced strips were used, one only need look at the back.
Back of Strip Pieced Top
To preview our work, we laid the completed strip pieced top on my bed.
Previewing The Strip Piecing on My Bed
Because we did not have a work table wide enough to lay the top flat, we took to the floor.  We used a carpenter's plumb bob and rulers to square up the measurements according to the size that Ken had defined in his schematic drawing.

Using Plum Bob and Rullers on the Floor
Once that was complete, black borders were added.
Black Borders Added
Helmi and I became intimately familiar with the floor as we then laid out fabric to piece together for the  backing. 
Helmi Laying Out Backing Fabric and Batting and Taping to Floor
Once the backing was pieced together, batting and top were laid upon it.
Pieced Top Laid On Top of Batting and Backing Fabric
The top was then pinned to the batting and backing.
Linda Pinning Top to Batting and Backing
Once the pinning was complete, the quilt "sandwich" was lifted from the floor and taken to the sewing machine.
Lifting the Pinned Quilt Sandwich from the Floor
Finally, the quilting began.
Quilt "Sandwich" Rolled to Fit through the Throat of the Machine
Helmi put the pedal to the metal and quilted her little heart out, right up to the time that she needed to pack her suitcase for the trip home.

We did not finish the entire quilted duvet cover before the week came to an end when she needed to catch her plane back to Texas and to her loving husband, Ken, and their wonderful kitties.  We talked about how we could confer via Skype so that she could finish the quilted work at home in Texas..  Instead of moving forward via Skype, Helmi made plans to visit again this year to finish the quilt.

Next week Helmi will arrive, once again, at Lindberg Field in San Diego and we will spend the fikkiwubg (translate:-]  following) week working on attaching fabric for the drop to the floor, putting on a second backing which will accommodate the duvet and we should have finally completed this very fun project.  The icing on this cake will be spending time together with lots of hugs and wonderful laughter.  I am so blessed to have such a magnificent friend.
Always remember, never fear to experiment.  
Sometimes wonderful things happen.
© Linda Friedman 2017.  All rights reserved

Tuesday, January 17, 2017

"Fruits and Flowers on the Lap"

Hoorah, I just finished #3 on my 2017 New Year's resolution to revisit and finish old fabric and fiber friends

Years ago I cut a stack of 6 1/2" squares from fabrics that I very much liked and had full intention to make a quilt with them.  Did I?  No.  They merely "slept" on a shelf pining away for my overdue attention.  When I saw them again a couple of weeks ago, I vowed that there was no time like the present to start sewing them together.

This is no art quilt.  It is merely a warm 35" x 46 1/2" lap quilt, but I still like the patterns and colors as much as I did when I first cut the squares, lo those many years ago.

Here 'tiz folks...
"Fruits and Flowers on the Lap"
May all your New Year's resolutions move along swimmingly.
...and 
Always remember, never fear to experiment.  
Sometimes wonderful things happen.
© Linda Friedman 2017.  All rights reserved

Monday, January 16, 2017

"Crisp Autumn Morn" in Fiber

I'm totally stoked to find myself on quite a roll thee past few days.  Here is another art quilt that was stashed away in a trunk waiting many years for me to revisit it and finally complete it.
20" x 20" "Crisp Autumn Morn"
This piece was made entirely with commercial fabric remnants.  The perpendicular central panels were pieced, as were the black and orange borders.  The 'L" shaped orange elements were hand appliqued.  The leaf and rectangular and "fussy cut" leaf elements were raw edged machine appliqued.  The inner panels were closely free motion quilted with gold metallic thread.  The entire top was then quilted to batting and backing fabrics.  It is mounted on 20"x20" stretcher bars over which I nailed a gesso finished, thin plywood sheet to prevent any possible migration of wood elements through to the quilt.

Thanks for dropping in.  Hope springs eternal that I will adhere to my 2017 New Year's resolution to finish many quilt tops that have been "sleeping" in trunks for years on end.   Perhaps I'll have more to show you soon.
Always remember, never fear to experiment.  
Sometimes wonderful things happen.
© Linda Friedman 2017.  All rights reserved
 

Friday, January 13, 2017

"Tulips in the Window" - Stained Glass in Fiber

As the years pass, unfinished works seem to add up and then fade into that abyss of time.  My New Year's resolution for 2017 was to revisit storage trunks, pull out uncompleted works and finish at least the ones that I had begun years ago.

I began this work over 8 years ago.  It withstood the test of time--I still liked what it might become.  Today I am ecstatic to report that this piece is completed!  Yay!!

Here are a couple of close-ups of this work in which I used hand dyed and silver lamé fabrics on a background of black commercial fabric

Here are a couple of close-up shots:

Now, I must get back to going through my trunks to identify more works in want of attention.

Always remember, never fear to experiment.  
Sometimes wonderful things happen.
© Linda Friedman 2017.  All rights reserved