How to Make Stamps with Latex Caulk

It seems that I never stop looking for new ways to create my own stamps for printing on fabric.  What follows is how I created stamps using latex caulking.  Here are a few that I made yesterday.

And here is how I made them.

I started with wood blocks that I cut from stock lumber.

 Then I pulled out a caulking gun and some caulking that was in the garage.

 I squeezed caulking material onto the blocks and spread it smoothly over the blocks with one of those mock-up credit cards that litter our mail almost weekly.  Once I had a smooth surface of caulking, I used a letter opener to scribe a pattern into the caulking material.

Once again, here is what the blocks looked like after I had scribed designs into them.  The edges of the scribed lines tended to pull up but I set the blocks aside to dry anyway.

Although the directions on the caulking material indicate that the product is paintable within 30 minutes, I let the blocks dry for a couple of hour just to make sure they were good and dry. 

I knew that the surface needed to be flat in order to achieve good prints from the blocks, so I laid parchment paper over them and rolled the surfaces flat with a brayer.

I had a swath of canvas lying around and decided to try out the stamps using Setacolor fabric paint.  Here are a couple of closeups of the result.

I like the somewhat uneven nature of each print that resulted from the slightly uneven surface of each stamp.  Unlike store bought stamps that always produce the same printed image, these stamps take on a character all their own with each and every printing.

Here is the entire long, narrow swath of canvas printed.

Always remember, never fear to experiment.  

Sometimes wonderful things happen.

© Linda Friedman 2017.  All rights reserved

 

 

Block Printing with Foam #3

Auditioning Color Overlays

If this is the first time you are visiting my blog about Block Printing with Foam, you can find the beginning stages of step #1 HERE and step #2 HERE.

Today I am going to take you through the process of auditioning colors that I might use as washes over the initial printing.  I first printed 4 blocks that would be used solely to determine colors for the 40" x 40" piece that I am creating.

In each instance Setacolor transparent fabric paints were used to make washes with a paint-to-water ratio of 1:1. On all but one of the blocks I first laid down a wash of Lemon Yellow.  No picture is shown for that. 

Option #1

Lemon Yellow with a Swath of Cobalt Blue

Option #2

Lemon Yellow with 3 Drops of Bright Orange and Cobalt Blue around Circles

Option #3

Yellow with Light Wash of Cobalt Blue and Denser Diagonal Swath of Blue

Option #4

Cobalt Blue Wash--No Underlay of Yellow

Ultimately, I chose to work with a combination of the colors in Option #1 and Option #3.  When I am able to show the finished work in the future, it will become evident why I chose those colors to augment expression of the theme.

Darn it.  I wish I could tell you what the theme is so that you might better understand what influenced my choices. Ah, such a mystery.  I assure you that the final work will be shown in the future.  For those of you who follow along, you will know exactly how it came to be.

Note:  These posts are my participation in the 31 Day Blog Writing Challenge.  If you, too, would like to participate, link to Cheryl Sleboda's:  http://muppin.com/…/inde…/the-31-day-blog-writing-challenge/

Until tomorrow...

Always remember, never fear to experiment.  

Sometimes wonderful things happen.

© Linda Friedman 2015.  All rights reserved

Block Printing with Craft Foam #2

This post is a continuation from yesterday's post.  Here I have made multiple printings from the three blocks cut from sticky backed craft foam.  To see the process for cutting the blocks click HERE.

These are the tools used in printing the blocks.

 

In the past I have used a brayer to apply the paint, but recently I have been using a foam roller from a home improvement store with good results.  The tray onto which I poured the paint is a hard plastic one that I salvaged from a food product package.  The paint is contained within its raised edges and it rinses off very easily.  

I marked off a grid pattern with soft pencil lines on a large swath of white fabric. Then I printed multiples of the circles block with Cardinal Red Setacolor fabric paint.

Next I printed the broad striped block over the circle block with Black Lake Setacolor fabric paint.

When that printing was dry, I printed over the circle and broad striped blocks with the narrower, diagonal strip block with Light Green Setacolor fabric paint.

I then cut rows of blocks apart, lined up the prints and sewed the rows together.  Because I am creating a work to address the challenge theme of "Crossings", I cut a 3/4" wide and long stencil  from card stock and stenciled the horizontal lines with  the same Lake Black Setacolor fabric paint that I had used  for the broad striped block prints.

Tomorrow I will post about auditioning colors to use in over-painting.  These posts are the beginnings of my participation in the 31 Day Blog Writing Challenge.  If you, too, would like to participate, link to http://muppin.com/…/inde…/the-31-day-blog-writing-challenge/

Until tomorrow...

Always remember, never fear to experiment.  

Sometimes wonderful things happen.

© Linda Friedman 2015.  All rights reserved

Block Printing with Craft Foam #1

As I was putting things away in the studio after my day of playtime thread sketching, my hand fell upon some sticky back craft foam.  Instead of continuing to straighten up, I started cutting circles and strips from the foam.

From this seemingly mindless activity emerged four 6" x 9" printing blocks which are being used to create a 40" x 40" themed challenge.  I won't be able to show the completed work until it has gone through a jurying process, hopefully making the cut, and finally being exhibited.  However, here is the beginning of this particular block making technique.

Tools Used for Cutting Sticky Backed Foam

Foam, Ruller, Compass, Craft Knife

Use Compass to Mark Circles and Cut with Scissors

(Block #1)

Circles Ready for Mounting to a Board

Note:  The school of experience has taught me that one layer of the forms is not high enough.  When drawing a paint roller across one layer, or even two layers, often paint will get onto the mounting block and print onto the fabric.  This is definitely not something one wants. So I always make three layers of foam shapes.  See profile below.
 

Three Lays of Foam Shapes

Block #2

Three Layers of Thick Stripes

Block #3

Three Layers of Thin Stripes

(Ultimately I needed a fourth block, but that will be addressed later in this series of blog posts about creating printing blocks with craft foam.)

In order to make somewhat permanent, rigid blocks to make printing easy, I cut 3 6" x 9" plywood blocks onto which I affixed the foam shapes.  I attached he first layer of each foam shape to the plywood with Weldbond glue so that the block would withstand multiple washings without coming loose.  The sticky substance on the back of the foam works well for affixing the foam layers together but it is not strong enough to permanently stay on a wood block.

Plywood Block

 Tomorrow I'll show how I used these blocks to audition the colors to use when printing.

Always remember, never fear to experiment.  

Sometimes wonderful things happen.

© Linda Friedman 2015.  All rights reserved