

* Generation Green Gel Mediums may be ordered on-line through keelingskrafts.com. If you ever order anything through Keelings Krafts, you will be delighted. Barb and Doug Keeling are great to work with.A site dedicated to fiber arts, art quilts, soft sculpture, surface design, and optimizing techniques in other artistic media.


* Generation Green Gel Mediums may be ordered on-line through keelingskrafts.com. If you ever order anything through Keelings Krafts, you will be delighted. Barb and Doug Keeling are great to work with.
2) Assemble screen printing materials. The items include: disposable tray on which to rest items that will accumulate ink in the printing process, plastic spoon to dispense paint onto the screen, squeege type spreading tools, and paper towels.
3) The screen printing ink used in this project is Speedball Opaque Screen Printing Ink. Other brands are acceptable to use, as is fabric paint.
4) Lay a padded board on a flat working surface. (The board shown here has been used many times and definitely shows it.)
5) Lay fabric that will receive the screen printing over the padded board. Pin straight pins around the entire work surface. It is important to stretch the fabric until it is taut. This prevents any wrinkling of the fabric when it is screen printed.
6) Place the embroidery hooped screen on the fabric.
7) Scoop a generous amount of screen printing ink from the jar. Apply the ink above the image to be screened and at other points on the screen to assure full ink coverage.
8) Lay the ink screening tool above the ink on a 45 degree angle and press down.
9) Press firmly while pulling the applicator down over the image to be printed. Check to assure that all areas have been covered. A second pull of the applicator over the image may be needed. With each pull, press firmly on the applicator. Do not move the screen or the image will blur.
10) DEALING WITH A MISTAKE: Since the frame extends substantially beyond the image example, printing the images closer together than the edge of the frame makes an overlap onto the previously printed image. If the ink from the first image is not dry, it will be picked up on the back side of the screen. It is essential to wipe off any ink on the reverse side of the screen before proceeding to the next pulled screening. In this case, I forgot one time to check the back of the screen for picked up ink. A slight ark shaped smudge appeared on the fabric. The illustration demonstrates how this error was added as a repeat design element.
11) Let the first printing dry. Then remove the pins that hold the fabric taught against the padded board. Reposition the fabric for another set of prints. Repeat Step 5 and pin the fabric onto the padded board.
12) Determine placement of the next printings by laying the original drawing on the area where the print will appear. Then position the screen over the drawing. Remove the paper and the screen will be ready to be inked and screened. This needs to be done because the masking of the screen is opaque, does not allow the previously printed images to be seen, and, therefore, the risk of overlapped images is great.
13) Final screen printed fabric.
14) Scrape ink that has accumulated on the screening tool back into the ink jar.
15) Heat set the images by placing a pressing cloth over the images and ironing with hot iron for 1 to 2 minutes.
Turn the hoop over and apply the mask to the reverse side.
3) Fill a container to the 1/2 level with water. This will be used to immediately clean brushes between uses. If the brushes are not cleaned quickly after each use, the latex house paint dries very fast and will harden the brushes and make them useless.
4) The 1" brush is used to fill the large blank areas around the drawn image. Smaller brushes are used to apply the mask to delineate details and to fill in the spaces next to the drawn lines of the image. This pictures shows that the large brush applied the mask to within approximately 1/4" of the drawn line of the image (left) and a small brush applied the mask UP TO the drawn line (right).
5) Fill in all the spaces where no screen printing ink will be applied. Carefully fill in masking details with small brush. Note the open areas around the arrow forms.
Closeup of areas that need to be filled in with a small brush.
7) When masking approaches completion, hold the hooped screen up to a bright light and look for pinholes of light coming through the masked areas. If any light shines through a masked area, add more masking medium. If this is not done, screen printing ink will come through that area and print on the fabric.
8) The previous picture shows the hooped screen being held up to a fluorescent light source and it did not offer consistent lighting. The hooped unit needed to be laid over a light box to assure that no further pinholes were evident. See two circular light holes on the right side of this example.
9) After fully masking the screen, set the hooped unit aside to thoroughly dry. Since old latex house paint can be very thick, let the piece dry in an area where air circulates for at least 12 hours. Once the masking medium is bone dry, the screen is ready for application of silk screen ink or fabric paint.













8) Turn the hooped screen over.


The embroidery hooped screen is now ready for masking. More fun lies ahead. Check back tomorrow for an update and instructions on how to mask a silk screen with ordinary exterior latex house paint.
